疯狂神父

　　元军攻打日本之际，中国大陆的妖怪为了得到死者魂魄亦东渡日本。在这里，他们遭遇了犬夜叉的父亲斗牙王。经过一番艰苦鏖战，大陆妖怪最终被封印在斗牙王的牙齿中。
　　时间回到战国时代，四魂之玉的一枚碎片飞到不归之森，唤醒了大陆妖怪首领之子玛瑙丸。为了解开被斗牙王牙齿所封印的力量，玛瑙丸派随从琉璃、玻璃将犬夜叉一行人引到不归之森，并诱使犬夜叉用铁碎牙斩断结界。结界消失，被封印上百年的力量开始复活，玛瑙丸变得愈加强大。与此同时，玻璃和琉璃分别夺去了珊瑚的云母和法师的风穴，使犬夜叉一方陷入苦战；另一方面，戈薇的意识被玛瑙丸控制，她迫不得已用箭再次将犬夜叉封印，之后更被桔梗推入枯井，穿越时空回到了现代……

　　Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.
　　They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks.
　　Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.